Articles tagged with: XML

Autodesk likes Final Cut Pro X XML as an interchange format

Thursday, 11 June 2015

Autodesk Smoke 2016 includes improved support for Final Cut Pro X XML export. 

Although Smoke can use other formats for export, the new help file says out that Final Cut's format is the one to use for collaboration:

Use FCP X XML Export when you want to share a sequence with third party applications.

The XML Export generates a simplified sequence that can be used in third party applications for creative editorial, color correction, media management, etc.

There are new Sequence Publish presets available, which output FCP X XML sequences.

  • XML for DaVinci Resolve for Source Grading (ProRes 422 and 24-bit WAVE)
  • XML for DaVinci Resolve for Source Grading (Sequence-only)
  • XML for DaVinci Resolve (ProRes 422 and 24-bit WAVE)

Smoke 2016 can also now conform Final Cut Pro X timelines that include MXF format clips.

Shout out to @finalcutproes for the link!

Brian Mulligan pointed out:

Looks like Autodesk also likes Apple's ProRes 4444 XQ.

Missing Final Cut Pro X plugins when moving projects between Macs?

Tuesday, 12 August 2014

Andreas Kiel, the XML expert who makes many useful film production tools has written a useful primer on Final Cut Pro X plugin locations.

Read this as a first step in understanding why even though you have two Macs with the same plugins installed, when you move a project from one computer to another you sometimes get the following image in your viewer:

missing-effect-plugin

The plugin is on both Macs - what's the problem?

Part of the problem is that even though a plugin appears in the browser of both installations of Final Cut Pro X, if it isn't in the same place on the hard drive, Final Cut won't recognise a reference to a plugin saved on Mac A when opened on Mac B. As well as there being more than one place you can install plugins, the folder names that appear in the Finder may be different from the actual names of the folders. Projects use the real names of the folders - not the ones that appear in the Finder.

That means that even if exactly the same "My Cool Plugin" effect is stored in a different folder on Mac B, the fact that the Final Cut Pro project from Mac A is looking for it in the original folder will mean the effect will seem to be missing from the copy of Final Cut Pro running on Mac B. This seems very odd when you can see "My Cool Plugin" appearing in exactly the same place in the effects browser in Final Cut on both Macs.

Investigate the XML version of your project

Andreas says

XML can help a lot: template syncing.

You can create a XML. All assets and effects will be listed in the "resource" part of the XML. So you can open the XML in TextWrangler (or something similar) and find the "effect" entries and their paths (uids) manually. This is both time consuming, boring and not effective.

That's why I made my X-FX Handler some time ago.

X-FX Handler shows listings of the plugins a Final Cut Pro X project uses. The X-FX Handler PDF includes a download link to the application installer.

Visit Andreas’ post on fcp.co to learn more about Motion templates (the way effect, title, transition and generator plugins are made available in Final Cut Pro X).

 

 

FCPX Grill podcast - Ep. 71 - featuring Philip Hodgetts: The King of Metadata

Monday, 11 August 2014

Episode 71 of Chris Fenwick's FCPX Grill podcast features an interview with Philip Hodgetts of Intelligent Assistance, an LA-based software company who make software for assistant editors and editors who have to do assistant editors' tasks.

fcpxGrill logo

After listening to this episode about logging, I thought it was well worth logging:

[5:20] Video literacy vs. traditional forms of literacy. Even if post production isn't your primary focus, you make need to make videos. Apple selling a million copies of Final Cut Pro X in a world where there are only 25,500 professional video and film editors in the USA.

[7:41] PH: People stay with software and workflows that aren't state of the art because they are proven and because they are preferred workflows of somebody that they trust.

[9:18] Philip came over to LA from Australia for four weeks in 2001 and returned in 2003.

[10:33] PH: Don't you think Final Cut Pro X reminds you of Media 100?

[11:45] CF: What is the significance of the change from QuickTime to AV Foundation?

[18:33] PH: AV Foundation only supports QuickTime movies with H.264 and ProRes Codecs - no third-party codecs.

[24:00] PH: All our applications are focussed on metadata

[24:43] PH: The six kinds of metadata: Source, Added, Derived, Inferred, Visible and Transform 

[28:38] CF: People are logging much less as they shoot than before

[29:15] PH: Marquis Broadcast Final Cut Pro X customer survey: only 2-3% of respondants do on-location logging

[31:05] PH: Lumberjack System helps you log on location by tapping check boxes on and off. The Lumber Yard application takes this logging information to generate a Final Cut Pro X library to organise footage by applying keywords, creating folders and marking favourites and also to create string-outs based on keywords - including lower thirds showing metadata-based interviewee names.

[34:17] PH: We use a very simple title, but you can select all the titles in the Timeline Index and drag a title of your choice to change the design of the lower thirds in one go.

[35:28] PH: Now you can log already captured footage using the simpler to use Lumberjack system

[38:16] PH: Most logging tools don't record time ranges, they store markers with fixed 2 second ranges before and after the marker.

[41:15] CF: A listener asked why we go on about all these things to make the assistant editors' lives easier: “I don't care, I'm an editor”

[42:45] PH: My whole focus is to take the drudge work away from editors and get the computer to do that

[44:00] PH: In the future editors will work remotely - the work will go to the lowest-price territory: Montana and Mumbai

[45:35] CF: Working from home, do you miss the cameraderie of working with other people?

[47:48] PH: Lumberjack features also support making videos at conferences - multiple iOS users can log a live event at the same time

[52:25] PH: I've stopped demoing Syn-N-Link after seeing how much better Sam Mestman and Michael Garber demo it

[53:25] PH on the genesis of Xto7

[55:30] CF: What is the difference between Intelligent Assistance and Lumberjack System?

[58:38] CF: I'm going to appear at the Final Cut Virtual User Group on Thursday August 14th

 

 

Final Cut Pro X 10.1.2 update - all you need to know

Wednesday, 02 July 2014

Today Apple updated Final Cut Pro X to version 10.1.2. Nearly all the new features and refinements Apple announced seem to be about supporting high-end workflows:

  • More control over optimised media, proxy media and render files
  • Apply LUTs to HDR and wide-gamut media from high-end cameras - Apple calls this 'Log Processing'
  • A new ProRes flavour: 4444 XQ
  • Faster export of cuts only XDCAM media (good for TV news and DaVinci Resolve workflows)
  • Fine-grained control over XML export - from individual clips, multiple clips, projects, events or whole libraries
  • Library metadata view
  • Automatically apply keywords based on tags assigned in the Finder - the advantage over folders is that the same media can have multiple tags - such as camera name, location and scene number
  • The ability to search for or create smart collections of used or unused media in the current project, compound clip, synchronized clip or multicam clip.
  • A 'Share to Vimeo at 4K' destination

As well as these features for TV, movies and live events, there are new features useful for a larger range of Final Cut users:

  • Unused range indicators for compound clips, multicam clips and synced clips
  • Tools to support voiceover Audition clips
  • Adjust relaive as well as absolute audio volume of a clip or range within a clip
  • Option to sort events by date or name within libraries list
  • The ability to import a clip by dragging directly to the browser (before you could import by dragging a clip to a specific event in the libraries list)

Final Cut Pro X 10.1.2 information not promoted by Apple

  • The format for Final Cut libraries has changed, if you update them with version 10.1.2, any 10.1.1 or 10.1.0 systems will not be able to read them any more.
  • New 'Basic Surround' audio preset makes panning surround sound easier
  • Break apart Auditions to see the individual clips on the timeline (using Clip > Break Apart Clip Items or Shift-Command-G)
  • 10.1.1 could run on OS X 10.9.0, Final Cut Pro X 10.1.2 requires at least OS X 10.9.2. This also applies to Motion and Compressor.
  • Using the , and . keys to nudge clips in the timeline now acts as a slide edit
  • Updated version of Final Cut Pro X XML - so a wider variety of information can be exported to or imported from other workflow applications
  • You can close all libraries - one does not have to remain open
  • More control of how synchronised clips are generated
  • Much better relinking of missing files. Select the parent volume or folder and Final Cut will now search all sub-folders until it finds the correct files
  • New text format presets
  • There are many new effects, transitions, titles and generators 

Library properties

The inspector can show information about the selected library (also available using the new Control-Command-J shortcut)

library-properties

When you are modify Storage Locations settings, tooltips pop up to show where media, cache and backups are currently stored:

library-storage-locations

When preparing to backup or transfer a library, you now have more control over whether optimised or proxy media is included: 

library-consolidation

Delete 'Generated Files'

In addition to being able to delete render files, you can now delete proxy and cache files associated with projects, events and libraries:

Delete-Generated-Project-Files

Delete-Generated-Library-Files

XML Export

XML export can now include one or more clips only and one or more projects. Final Cut lists the elements to be included in the export at the bottom of the export dialogue box:

export-xml-selection

Volume control

Using a pair of new commands, you can set new volume values without using the audio tab of the inspector:

Adjust-Volume-commands 

Then, with one or more clips selected, you can change audio volume amounts by typing a number into the timeline:

relative-volume

If you use Modify > Adjust Volume > Absolute, the audio level of the clips you selected is set to the new value. If any clips had audio level keyframes assigned, these will be deleted.

Sort events by…

sort-events-by

sort-by

Record Voiceover

The former 'Record Audio' command has more features:

record-voiceover

You can name the resultant clip, hear countdown beeps to aid timing, combine different takes into an audition and choose into which event the audio clips are stored.

If you want to use the keyboard to start voiceover recording, press Option-Shift-A. To stop recording, press the space bar or press Option-Shift-A again.

ProRes 4444 XQ

4444 XQ is a new flavour or ProRes has data rates approximately 50% higher than 4444. Apple have updated their ProRes white paper with more information. ProRes 4444 XQ works on MacOS X 10.8 and newer. To use XQ, you may need to download the ProApps Codecs v1.0.5 installer. This should appear in the Mac App Store when you check for updates after installing Final Cut 10.1.2. If not, you can download the installer direct from Apple.

Apple will promote it as being as good as uncompressed at much lower data rates and good enough for storing camera original media:

xq-better-than-uncompressed

ARRI have announced that the next software upgrade for their cameras will support ProRes 4444 XQ recording.

Surround Sound

A new audio panning mode: 'Basic Surround'

basic-surround-menu

Basic Surround positions the signal in its default channels, with a stereo signal in the right and left channels, and a mono signal in the center channel. The Pan Amount slider setting distributes portions of the signal to other channels and can be adjusted from –100 (left channels) to 100 (right channels).

Import preferences

As imported media can be copied to a location defined by each library (within the library or elsewhere), the file location option is to follow the library setting or to leave the source clips in place.

Final Cut Pro X 10.1.2 defaults to adding keywords to clips based on the tags assigned to their source media files in the Finder (and perhaps using other metadata manipulation applications one day). If you use REDCODE RAW media, the keywords assigned to the clips are based on the tags assigned to the parent folder of the media.

import-prefs

Those options are also available when importing specific clips. In this case the new clips will be imported to the storage location for the "Window Cleaner" library, which is currently set to 'relink test':

media-import-options

Final Cut Pro X XML version 1.4

Once again Apple has updated their data interchange format so more information can be exported from and imported into Final Cut.

  • Libraries and events can be encoded in XML files - but XMLs can no-longer refer to objects in other libraries
<!-- LIBRARY ELEMENT -->
<!ELEMENT library (event*)>
<!ATTLIST library location CDATA #IMPLIED>
<!-- EVENT ELEMENT -->
<!ELEMENT event (clip | audition | mc-clip | ref-clip | %collection_item; | project)*>
<!ATTLIST event name CDATA #IMPLIED>
<!ATTLIST event uid CDATA #IMPLIED>
  • A clearer way of encoding animated values
<!-- A 'keyframeAnimation' element describes an animation curve using the contained 'keyframe' elements -->
<!ELEMENT keyframeAnimation (keyframe*)>
<!-- A 'keyframe' element describes an point along an animation curve -->
<!ELEMENT keyframe EMPTY>
<!ATTLIST keyframe time %time; #REQUIRED>
<!ATTLIST keyframe value CDATA #REQUIRED>
<!ATTLIST keyframe interp (linear | ease | easeIn | easeOut) "linear"> <!-- interpolation type for point. -->
  • What was encoded in version 1.3 of FCPX XML as a 'shot marker' is now an 'analysis marker'
<!ENTITY % marker_item "(marker | chapter-marker | rating | keyword | analysis-marker)">
  • Analysis markers can encode what kind of shot is in a clip (or range of a clip) and also encode how shaky the shot is
<!ELEMENT analysis-marker (shot-type | stabilization-type)+>
<!ELEMENT stabilization-type EMPTY>
<!ATTLIST stabilization-type value (excessiveShake) #REQUIRED>
  •  Sequences (projects and compound clips) can now be assigned audio layouts and sample rates
<!-- A 'sequence' is a container for a spine of story elements in a sequence project. -->
<!ELEMENT sequence (note?, spine, %audio_comp_items;, metadata?)>
<!ATTLIST sequence %media_attrs;>
<!ATTLIST sequence audioLayout (mono | stereo | surround) #IMPLIED>
<!ATTLIST sequence audioRate %audioHz; #IMPLIED>
  • Individual multicam clip angles must include basic transform settings (intrinsic-params-video) and not applied to the whole clip
<!ELEMENT mc-source (%audio_comp_items;, %intrinsic-params-video;, filter-video*)>
  • Text in a title can now be set to 'justified'
<!ATTLIST text-style alignment (left | center | right | justified)

'Break Apart' Auditions

If you have created an audition in an event or by dragging multiple clips to a timeline, you can now exchange the audition elements with the individual clips.

Previewing first audition pick:

break-audition-1

Previewing third audition pick:

break-audition-2

After choosing 'Break Apart Clip Items' from the Clip menu:

break-audition-3

The current (third) audtion pick is now in the main storyline and the other picks are attached to it in order.

Search for used or unused media in current item

A hidden feature of Final Cut Pro X 10.1 was when looking for media in the browser you can choose to find clips based on whether they are used in the current project, compound clip, synchronized clip or multicam clip - you could get this view using the Control-U keyboard shortcut. In 10.1.2 you can carry out more complex searches or create smart collections based on whether media is used or not. 

For example you could find all the synchronized clips not used in the current timeline - be it a project, synchronized clip or a multicam clip being edited in the angle viewer.

search-whether-used-or-not

Nudging clips in the timeline defaults to slide edits

If you change the position of a clip in the timeline by entering relative timecode (e.g. typing '+15') or use the ',' and '.' keys to move a clip forwards or back along the timeline, Final Cut now does a slide edit - the neighbouring clips are trimmed to allow for the change.

Before:

slip-1

Pressing Shift-. a few times slides the audition further along the timeline:

slip-2

The '06c-14:5' clip duration is increased and the start of the '04-13:1 1' clip is trimmed off to allow for the change.

Note that as this slide movement depends on the unused parts of the neighbouring clips, if there is no more media to reveal in the earlier clip ('06c-14:5' in this case), the selected clip will not move forward in the timeline.

To get the clip nudge result in previous versions of Final Cut, use the Position tool (press the 'P' key) to either drag the clip, or if the position tool is the current tool, nudging will insert a gap clip before the clip you are nudging:

slip-4-pointer 

More control over synchronized clip generation

In 10.1.2 when you synchronize selected clips in an event, you get a dialogue box that gives you multicam-like controls over how the new synchronized clip is generated:

make-sync-clip

Editing clips between libraries warning

For editors who regularly use clips from one library in another, there is now the option not to show this warning every time:

clips-tween-libaries-warning

Interesting that Apple have spent time on the kind of change that a few editors must have asked for - that hopefully was a task that a single programmer spent a few hours on.

New Plugins

It is interesting that Apple didn't mention the many new effects, transitions, titles and generators included in the 10.1.2 update - it is almost as if they don't want this version associated with any consumer-friendly improvements.

New Effects

Focus

Found in the Blur effects category

effect focus

Graduated Mask

Found in the Keying effects category:

effect-graduated-mask

Streaks

Found in the Light effects category:

effect-streak

Newsprint

Found in the new Nostalgia effects category:

effect-newsprint

Security

Also found in the new Nostalgia effects category:

effect-security

Raindrops

Found in the Stylize effects category - the checkerboard background shows where the effect made the clip transparent - when rendered, these areas export as black:

effect-raindrops

Textures

Found in the Stylize effects category. If defaults to using a wood texture, but you can apply your own using the drop zone:

effect-textures

Decal

Found in the new Text Effects effects category - designed to be applied to connected Titles with underlying video being used in the drop zone:

effect-decal

Stencil

Found in the Text Effects effects category also:

effect-stencil

Visual Echo

Found in the Tiling effects category:

effect-visual-echo

New Transitions

Divide

Found in the Dissolves transition category:

transition-divide

Clothesline

Found in the Movements transition category. Each clip swings as if it is hanging on a clothes line:

transition-clothesline

Color Planes

Found in the Movements transition category:

transition-color-panes

Fall

The outgoing clip falls forwards. Found in the Movements transition category:

transition-fall

Push

Although already as an option in the Slide transition, it is now also to be found in the Movements transition category:

transition-push

Scale

Scales the incoming clip or the outgoing clip up or down. Found in the Movements transition category:

transition-scale

Switch

In the Movements transition category:

transition-switch

Arrows

From the Movements transition category. Choose from Arrow, Round, Square, None and Bevel end caps:

transition-arrows

3D Rectangle

From the Replicator/Clones transition category:

transition-3D-Rectangle

Combo Spin

From the Replicator/Clones transition category:

transition-Combo-Spin

Concentric

From the Replicator/Clones transition category:

transition-Concentric

Vertigo

From the Replicator/Clones transition category. Choose from Arrow, Round, Square, None and Bevel end caps:

transition-Vertigo

Color Panels

From the Stylized transition category:

transition-color-panels

New Titles

Activate

From the Bumper/Opener title category:

title-Activate

Bold Fin

From the Bumper/Opener title category:

title-Bold-Fin

Point

From the Bumper/Opener title category:

title-Point

Stacked

From the Bumper/Opener title category:

title-Stacked

Slate

From the Credits title category:

title-Slate

Thumbnails

From the Lower Thirds title category:

title-Thumnails

New Generators

Beam

From the Backgrounds generator category:

generator-1-beam

Clouds

From the Backgrounds generator category - animates automatically:

generator-2-clouds

Drifting

From the Backgrounds generator category - animates automatically with a choice of dust, spark, puffball, moth and spark particles:

generator-3-drifting

Glimmer

From the Backgrounds generator category - animates automatically:

generator-4-glimmer

Lines

From the Backgrounds generator category - animates automatically:

generator-5-lines

Nova

From the Backgrounds generator category - animates automatically:

generator-6-nova

Rays

From the Backgrounds generator category - animates automatically:

generator-7-rays

Here are the new transitions, titles and generators in action:

In the Divide, Arrows, Color Panels transitions there is a small fault in the built-in Motion template which means the incoming clip is moved to the left by one pixel (when the resolution of the project is 1920 by 1080 pixels) during the transition (In Motion terms: Transition B's anchor point is set to 1,0). Perhaps we'll see version 10.1.2.1 soon!

Commands and keyboard shortcuts

New keyboard shortcuts for the new and modified commands:

  • Open Library - Command-O
  • Library Properties - Control-Command-J
  • Adjust Volume Absolute - Control-Option-L
  • Adjust Volume Relative - Control-L
  • Record Voiceover - Option-Command-8
  • Start/Stop Voiceover Recording - Option-Shift-A (when Record Voiceover window is open)

The new 'Sort Event in Library list' commands can have keyboard shortcuts added using Final Cut Pro > Commands > Customize 

available-for-keyboard-shortcuts

These commands are described as 'Sort selected items...' - perhaps in future other items than events will be able to be sorted using these commands.

New text format presets

Most of the text presets that were included with previous versions of Final Cut have been replaced by more flexible options:

text-presets

Appply these using the pop-up menu above the text box in the Text panel of the Title inspector.

Big improvement in relinking files

Since the reintroduction of the ability to relink missing files to Final Cut Pro X, the search aspect of feature has been limited. In 10.1.2 when relinking you don't have to directly find one of the missing files. You can now select the volume or  folder within which you think the missing files are now stored. Final Cut will search all its subfolders until it finds the missing files.

To test this I copied 8 files stored outside a library to a different drive and deleted the originals. When I restarted Final Cut, the media was marked as missing. I chose File > Relink Files and selected the parent folder of the parent folder where I'd copied the missing files. Final Cut searched through 44,621 files and found the correct 8 copies I made earlier.

Last library can now be closed

Final Cut no longer needs to have at least library open:

Untitled-2

Consumer camera option

If you have video and stills on the camera you are importing from, you can now choose whether Final Cut displays one, the other or both:

videos-or-photos

Better camera colour processing

Higher-end cameras now record colour information using Logarithmic number ranges. This makes it possible to record a much larger range of colour brightness values in the same number of bytes in the media file - a higher dynamic range. Most camera manufacturers use their own way of storing this 'log' information - but some don't encode the metadata in the clips they record to indentify which method they use. In 10.1.2 there is a new menu to tell Final Cut which log encoding to use for a clip.

If clips recorded on high-end cameras aren't displayed using a logarithmic transfer curve, they can look very 'flat' - a milky low-contrast look. All the information for full colour and a full range of brightness from inky black to brighter than the sun is stored in the clip and available for grading. Log Processing is useful to reassure directors, producers and clients that the colour and brightness levels were all captured on location.

Select a clip or clips in an event or on the timeline. Go to the Info tab of the clip inspector. Make sure the metadata view popup (in the bottom-left corner of the inspector) is set to 'Settings' - choose the correct value from the 'Log Processing' parameter menu:

log-processing

Changing the setting of a clip or clips on a timeline changes the value of the source clips in the event and vice versa.

Pasting transitions 

I read in Tom Wolsky's 10.1.2 rundown that transitions that you have copied can now be pasted to the ends of one or more individually connected clips.

You can also paste a copied transition to multiple clips:

paste-transitions

Note that the transition wasn't pasted between the first and second clip of the secondary storyline - that's beacause there wasn't enough media in the clips for the transition to work.

Bug reports

Sadly no software updates are bug-free. Some problems happen on specific setups, others are more widespread:

The good news is that various versions of Final Cut Pro X can work on the same machine with few problems. Whenever the library (or project and event) file format changes, before using Software Update to get the new version, zip the 'Final Cut Pro.app' on your computer (Control-click it in the Finder and choose 'Compress "Final Cut Pro"' from the context menu). If you move that .zip archive to an external drive, you can expand the archive and run the older version of Final Cut when you want to access older projects.

Compatibility with 3rd party products

Final-Cut-Library-Manager

Final Cut Library Manager from Arctic Whiteness has been updated to work with the new library format, as long as users don't store render, optimised media or cache files outside their libraries. Arctic Whiteness are reviewing how to update the utility to take into the account the new library flexibility in Final Cut 10.1.2.

FCP-Backups

Backups for Final Cut Pro by NP Associates works with 10.1.2. They plan to release a small update that doesn't back up sync files.

X2Pro

X2Pro Audio Convert and X2ProLE Audio Convert from Marquis Broadcast have been updated to support Final Cut Pro X XML version 1.4 - these applications converts XMLs into Avid Pro Tools audio sessions.

pro-maintenance-tools

Pro Maintenance Tools from Digital Rebellion has been updated to support 10.1.2.

Red Giant have reported that most of their Final Cut products work with 10.1.2, now including Magic Bullet Looks and PluralEyes 

7toX iconXto7iconChange-List-XiconSyncnlinkXiconProducers-best-Friend-icon

Philip Hodgetts of Assisted Editing reports that 7toX and Xto7Change List X and Sync-N-Link X have been all updated for 10.1.2, Producer’s Best Friend has been updated but there's more to do.

lumberjack

The Lumberjack on-location real-time logging system has added a new mode enabled by the new version of Final Cut XML that 10.1.2 uses

Resolve-11

In the case of Blackmagic DaVinci Resolve, version 10.1.5 cannot read XML 1.4 exported from Final Cut Pro X 10.1.2. A workflow that worked for me was to import the XML into DaVinci Resolve 11 Beta 1. 11b1 exports as FCPX XML 1.3 - which can be read by Resolve 10.1.5 (and Final Cut Pro X 10.1 and 10.1.1). 11b2 is supposed to be more compatible with XML 1.4.

shotnotes X

Shot Notes X - the application that combines logged on-set information with Final Cut Pro X XML - has been updated to support FCP X XML 1.4. 

10.1.2 feature demos and tutorials

Here are some videos that demonstrate some of the new features:

FinalCutProX.net (9:45)

Novedades de Final Cut Pro X 10.1.2 (14:34) - finalcutpro.es

What's New Final Cut Pro 10.1.2 (12:48) - VideoEditOz

FOCUS: FCPX 10 1 2: Le Tour complet des nouveautés ! (54:27)- YakYakYak.fr

FCPX-Update10.1.2 (6:54) - Und wieder gab es ein Update von FCPX und Motion5 ein kurzen Einblick in die Neuerungen seht Ihr hier

FCPX 10.1.2 First Look and Impressions - Karl Reith

Tutorials:

Media management - Guidelines & Operations (16:45), Library Model Overview (8:38) and Choosing a Storage Location for Your Media (17:33) -  free excerpts from Ripple Training's two hour Media Management in Final Cut Pro X tutorial.

Final Cut Pro 10.1.2 Media Management Changes (11:21) - MacBreak Weekly

File Management in FCP X 10.1.2 (9:42) - MacBreak Weekly on how file renaming and relinking have improved

10.1.2 Interesting reports

John Davidson of Magic Feather is very happy with the new 10.1.2 library media management - very useful for workgroups sharing media elements.

Ryan Velin reports in a post at FCP.co that while editing a 1 hour show for Danish TV, he found that 10.1.2 was noticably faster and that XML 'really works'

Larry Jordan on how keyframe editing has changed in 10.1.2.

Alex Snelling (@slackalicefilms) has updated his comprehensive Final Cut Pro X in a Share Environment workflows primer for 10.1.2.

Updated Apple documents

Online help

PDF version of 10.1.2 User Guide

Final Cut Pro X: Version 10.1.2 release notes 

Apple Media Management White Paper - June 2014

Final Cut Pro X 10.1 and later: Back up libraries and archive projects

Hiding Final Cut Pro X 10.1.2 has a delay on external display

Final Cut Pro X 10.1.2: Updating and working with libraries FAQ

About Apple ProRes

ProRes white paper

PDF of Motion 5.1.1 User Guide - very few changes, mainly repagination

PDF of Compressor 4.1.2 User Guide

Apple developer documentation for those wanting add tools to Apple application ecosystems - including Final Cut Pro X

  

Final Cut Pro X 10.1 update: New features, commentary and resources

Thursday, 19 December 2013

Apple updated Final Cut Pro to version 10.1 today.

What's new

The list from Apple's Final Cut Pro X 10.1 online help (my commentary in italics)

Performance and Mac Pro optimizations

Optimization to take advantage of multiple GPUs in the new Mac Pro

- Hidden inside Final Cut: code that distinguishes between CPUs and different GPUs:

* HOpticalFlowAnalyzer2, oflow v1, use display GPU only
* HOpticalFlowAnalyzer2, oflow v1, use aux GPU only
* HOpticalFlowAnalyzer2, oflow v1, use CPU only

HDMI and Thunderbolt output at frame sizes up to 4K (UltraHD and DCI 4K)

Final Cut Pro X 10.1: Mac computers capable of viewing 4K resolution via HDMI

Better playback and rendering performance, plus faster opening of the application and projects

- 10.1 seems to open much faster than before

Improved performance when modifying or keywording large numbers of clips at the same time

Selected titles, effects, and other media content scaled for 4K projects

- You can choose to only show elements scaled for 4K when you are editing 4K timelines:

4K-templates-only

Project and media management

Improved media management with the introduction of libraries, a new way to organize multiple events and multiple projects in a single container

- Apple's white paper on using libraries includes this image:

libraries

 

- For a very interesting PDF on 10.1 workflows for multi-user projects, visit 10 dot 1. Here's a sample illustration:

FCPXInASharedEnvironment FINAL

Project snapshots: on-demand backups that allow you to quickly return to an earlier version of a particular project

Media file storage on disk locations external to the Final Cut Pro X library, making your media accessible in specific folders on a wide range of SANs

- The Consolidate command moves all the files associated with an event (or a library) to an external folder which can be stored anywhere

consolidate files

Direct importation of MTS/M2TS files into Final Cut Pro

- At the request of Seth Hardwick I attempted to import a folder from a Sony MRC1 into 10.1. It didn't work.

Used clip range indicators that show you at a glance which clips are already in a project

Direct import of photos from iOS devices using the Media Import window

Support for portrait/landscape metadata in still images

Playback and effects

Significant improvements in the Final Cut Pro playback interface and powerful new effects features will empower your workflow.

Improved retiming lets you set custom speeds easier than ever—by typing frame rates directly in the interface. You can also create jump cuts at specific frames, replace and retime in one step, and retime clips without rippling the Timeline. For more information, see Retiming clips overview.

A new stabilization method called Inertiacam has been optimized to smooth video footage containing camera moves such as pans and zooms. Tripod Mode creates the effect of a static camera, as if it were mounted on a tripod.

An improved optical flow algorithm makes retiming and frame rate conform speedier than ever. In addition, for Macs with two GPUs, the optical flow algorithm now makes use of both GPUs, providing a more than 2x speed increase over a single GPU.

You can now create custom project resolutions for web video, digital signage, and other nonstandard frame sizes.

- I successfully created a 10,557 by 1080 29.97fps project. The frame rates are currently limited to standard ones, and if you have any clips on a timeline, you cannot change the project frame rate

- Here you can see a timeline that renders ProRes 422 LT and is 102,032 by 1080 pixels:

wide-LT

million-pixels-wide

Doesn't look like there's a limit!

New controls in the Viewer menu let you switch between better playback quality and better playback performance. There’s also a control to switch between proxy media and original or optimized media.

- Very useful for editing 4-5K content in proxy format on less powerful MacBook Pros

And you can now view all pixels of a 2K frame on a MacBook Pro with Retina display.

Editing

Through edits are now supported in all types of clips. The new Join Clips command removes cuts from bladed Timeline clips.

- Some commands have been moved to a new Trim menu - maybe to make space for more trim-related comands in future versions:

trim-menu

The Trim to Playhead command does different things depending on where the playhead is. If it is in the first half of a clip, it trims the start to the playhead, if in the second half, it trims the end to the playhead.

If you use the Range tool to select a range in a timeline clip, the command returns to 10.0's Trim Selection, trimming the clip to match the selection:

trim-selection

You can detach the audio portion of multicam clips in the Timeline to manipulate audio and video separately. You can also make video-only or audio-only edits into the Timeline with multicam clips as sources.

You can blade audio cuts in J and L cuts separately from the video. And you can now roll the audio in open split edits.

If no clips are selected in the Timeline, a white dot now appears on the playhead to indicate the clip whose attributes are shown in the Inspector.

Moving clips with transitions is now easier.

Share

You can share 4K finished videos directly to YouTube.

You can share videos directly to the Chinese video sharing websites Youku and Tudou.

And you can receive notifications on the status of items you shared.

- You can also use Compressor 4.1 to set up a Share Destination that runs an Applescript-based Automator workflow once your movie is transcoded

Audio

Audio fade handles have been added to individual audio channels in the Timeline. For more information, see Fade audio in or out.

Third-party support

Developers can utilize a new API for customizing Share operations.

- Other apps can send an 'Open Document' event to Final Cut Pro to make it import using XML and custom metadata fields to metadata views

- Final Cut Pro can send Apple Events to Asset Management applications during export

If you have an Apple Mac developer account (free from Apple):

- More on third-party application developent for Final Cut Pro workflows

FXPlug 3 has been updated to include the ability to design custom effects interfaces.

- What's new in FxPlug 3.0

- Plugins Human Interface Guidelines

Effect parameters, fonts, and text size information are now preserved in XML files.

About Final Cut Pro X XML Version 1.3

Apple have also defined what metadata stored in MP4 files it recognises.

For Apple developers: Final Cut Pro X - Metadata in MP4

Last but not least

You can now hide the Browser to free up more screen area for color grading and other operations that are improved by larger video images. 

Commentary

There's at least one new title: Date/Time, which appears to support iMovie 10 projects. It shows the time and date the clip it is attached to was created:

new-date-time-title 

It is odd - no controls apart from fade in and fade out. You can't change the typeface, size, colour or position in Final Cut Pro. It is designed to give that 90s 'X-Files' look (as inspired by 'Silence of the Lambs') to a clip.

When opening this title in Motion, there doesn't seem to be a way of getting any clip information from the clip a title is attached to - Final Cut Pro X must modify the title content to show the clip date and time.

To change the time displayed by the Date/Time title, select the clip it is attached to, use the 'Reveal in Browser' command (from the File menu or press Shift-F) to select it in the browser, and use the 'Modify:Adjust Content Created Date and Time…' command to pick a new date and time to show in the connected title.

No special treatment for SAN locations

There is no longer is an "Add SAN location" command in Final Cut Pro X 10.1.

Libraries can be anywhere, including on Storage Area Networks.

Apple on updating from 10.0.X to 10.1.X:

If you’ve been using SAN locations on an Xsan volume, you can click Locate to navigate to and then update SAN location folders. You can select a volume, a SAN location, or any folder containing a Final Cut Projects or Final Cut Events folder, and update it. This creates a new library next to the folder where the original projects and events were located. This manual update can be done at any time; for example, a SAN location may not be connected when you first open Final Cut Pro 10.1

Read only locations

Final Cut Pro X 10.1 will not open libraries that are stored on locked storage locations:

read-only file system

iMovie to Final Cut Pro X 10.1

Final Cut Pro X cannot open iMovie files directly any more. If you run iMovie and Final Cut Pro X 10.1 on the same computer, a new command appears in iMovie 10's File Menu: "Send Movie to Final Cut Pro" - it sends an editable timeline and the required clips to Final Cut Pro. Final Cut creates a new library for the event and project:

New commands

Better Playback Performance
Better Playback Quality
?

Consolidate Library/Project/Event Files - ?

Cut / Copy / Paste / Delete Selected Keyframes - Shift-Option-X / Shift-Option-C / Shift-Option-V / Shift-Option-Delete

keyframeeditingcmds

Custom Speed - Control-Option-R

You can type in a speed or required duration, and choose whether to ripple the timeline or not. If you don't ripple, the sped up section is followed by a gap clip of the required length not to change the overall duration of the project:

custom-speed

Looks like 10.1.0 has a slight fault when it comes to displaying the custom duration control in the right place.

Duplicate Project as Snapshot - Shift-Command-D - ?

The Duplicate as Snapshot command creates a self-contained copy of a project containing compound clips or multicam clips. Specifically, duplicating a project as a snapshot makes copies of the compound or multicam “parent” clips and embeds them in the project so that any changes to other instances of the clips do not affect the snapshot.

Exit Full Screen - You can choose which key stops full screen playback. Perhaps useful for remote control applications that simulate key presses

New Folder - Shift-Command-N - ? - You can organise event keywords and smart collections into folders:

New Library - There is no menu command to create new libaries (to create a new library you go to File:Open Library:Other… and click the New button), but you can add a keyboard shortcut to do this using the command editor.

Open Library

Show Unused Media Only - Control-U - Shows which parts of clips in the event aren't used in the event's projects:

unused-clips

 

Useful Apple links

Final Cut Pro X 10.1

Final Cut Pro X: Version 10.1 release note

Final Cut Pro X 10.1: How to back up important Final Cut Pro X 10.0.x files before updating

Final Cut Pro X: Apple ProRes White Paper

- Very few mentions of QuickTime

Final Cut Pro X 10.1: How to remove and reinstall Final Cut Pro X

Final Cut Pro X 10.1, Compressor 4.1: Adding a "Apple Devices 60fps" destination

Final Cut Pro X 10.1: Adding a destination to Share 4K to YouTube

Final Cut Pro X, Motion 5, Compressor 4: Graphics card compatibility

 

Final Cut Pro X 10.1: Updating and working with libraries FAQ

 

Full online help system for Final Cut Pro X 10.1

 

Final Cut Pro X for Final Cut Pro 7 Editors white paper

 

Other Apple professional applications

Motion version 5.1 release notes

Not many new features in Motion - no new behaviours or filters to support new kinds of Final Cut plugins

Compressor 4.1: Release notes

Logic Pro X 10.0.5: Release notes

 

Full online help system for Compressor 4.1 

Transition to Compressor 4.1 White Paper from Apple

Compressor 4.1 can spawn multiple instances of itself on multi-core Macs

 

Full online help system for Motion 5.1

 

ProRes

Apple ProRes White Paper

Apple ProRes Authorized Products

 

 

Other useful links

Pro Video Coalition: Final Cut Pro 10.1: A Detailed First Look by Steve Martin and Mark Spencer

10 free intro movies to Final Cut Pro X 10.1 from Mark Spencer and Steve Martin of Ripple Training

- In depth Final Cut Pro X 10.1 video training course from Ripple Training 

1 hour 45 minute MacBreak video podcast: Final Cut Pro X 10.1 Overview featuring Marck Spencer and Steve Martin of Ripple Training:

They kindly mentioned me a few times. One mention was about clip timecode.

Clip timecode in Final Cut Pro X 10.1 still doesn't work. We'd like to be able to add an effect to a clip, but timecode effects can only show the timecode of the current project. The previous workaround remains: you need to make each clip you want a timecode burn for into a compound clip. In the compound clip add a timecode generator for clip timecode.

 

Philip Hodgetts' review of Final Cut Pro X 10.1 - based on two months' use

Philip's 10.0 event organising application is now free - use it for the smoothest transition from 10.0 to 10.1

Kicking the Tires on Final Cut Pro X 10.1 by Scott Simmons

Scott praises the new version, points out some important gotchas and details what's still missing

The first 24 hours with Apple's new Mac Pro and Final Cut Pro 10.1

FCP.co on using Final Cut Pro X on the new Mac Pro. How many real time effects can be applied to 4K RED footage?

The Final Cut Pro 10.1 cheat sheet at FCP.co by Sam Mestman of FCPWorks

 

 

 

 

 

 

 

 

Import Final Cut Pro X projects into iMovie using hidden workaround

Wednesday, 20 November 2013

Editor and plugin maker Andy Mees has discovered that you can import Final Cut Pro X exported XML into the new version of iMovie. Here you can see the source timeline in Final Cut. It was exported as an .fcpxml file and imported into iMovie. 

andymees.fcpx2imovie

The reason why the timelines don't match up is because iMovie timelines have variable scale. Although the faint grey vertical lines are equally spaced, the times they mark aren't equally spaced (in this case some are marked as denoting 9.4, 10.9, 15.8, 20.3, 24.4, 27.2 and 32.1 seconds).

iMovie doesn't implement all Final Cut Pro X features such as multiple connected video clips at the same time or auditions. Despite this, you can see iMovie displays an audition icon on one of the audio clips in Andy's timeline. If you attempt to edit the audition in iMovie, you'll see an imcomplete UI:

iMovieuadition

iMovie doesn't have an 'Import Final Cut Pro X XML…' command. Andy discovered a simple workaround.

1. Control- or Right-click the iMovie icon and choose 'Show Package Contents' from the shortcut menu

2. Open another window that shows the iMovie icon and drop your .fcpxml file onto the icon.

3. In iMovie you'll see a dialogue box that asks which iMovie library you would like to import your XML file into:

which-library

As well as reading his blog, keep up with Andy by following him on Twitter.

 

DaVinci Resolve 10 is Final Cut Pro X 10.1 compatible

Tuesday, 19 November 2013

Using the same techniques that I used to have a look inside iMovie and Final Cut Pro, I've found that the recently released version of Blackmagic Design's colour grading application DaVinci Resolve 10 already handles the next version of Final Cut Pro X XML.

Seeing as Final Cut Pro X will be able to export colour grading information in projects as XML, it makes sense that Resolve can read and write these settings.

For example, here's a new Final Cut Pro X XML element:

<!-- The 'adjust-color' element modifies the color adjustments for a clip. -->
<!-- This element contains adjustments for color balance, color match, and color corrections. -->
<!ELEMENT adjust-color (colorBalance?, colorMatch?, (cb-correction | filter-color)*)>

Inside Resolve 10:

fcpxdtd1.3elementinresolve10

[The view if you drop 'DaVinci Resolve.app/Contents/MacOS/Resolve' onto TextEdit and search for 'adjust-color']

As well as references to Final Cut Pro X' new colour correction XML elements, Resolve also refers to 'adjust-stabilization,' 'adjust-rollingShutter' values for video clips, 'adjust-noiseReduction,' 'adjust-humReduction' and 'adjust-matchEQ' for clips with audio and 'text-style-,' 'ShadowBlurRadius' and 'baseline' (but not 'tab-stops') for text.

More about Final Cut Pro X 10.1

New iMovie features that might appear in Final Cut Pro X

Unreleased version of Final Cut Pro X built into iMovie (2013) - including news on the next version of Final Cut Pro XML

The future of scripting and plugins in Final Cut Pro X 10.1

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